8 Strategies for Critically Engaging Secondary Sources

The following strategies are adapted, and the figures reproduced, from Mark Gaipa’s “Breaking into the Conversation: How Students Can Acquire Authority in Their Writing,” Pedagogy 4.3 (2004): 419-37. Note that these strategies may be used globally, as a way of framing an argument, or locally, as a way of engaging sources at a particular stage in an argument. 

Strategy 1 Picking a Fight: Large stick figure labeled "the imposing critic (Goliath)" is wearing a graduation cap holds a book and kicks at a smaller stick figure labeled "the student (David)." The student is holding a knife and a speech bubble above him says "You want a piece of me?!".

Strategy 1
Picking a Fight

Knock down a scholar’s argument and, in the best version of this strategy, replace it with one’s own.

Small stick figure (student) kneels on one knee before a larger stick figure (scholar) wearing a graduation cap. A speech bubble above the student says "and I've read all your books!".

Strategy 2
Ass Kissing, or Riding a Scholar’s Coattails

Agree with a scholar to gain evidence and authority. Possibly go on to defend the scholar from attack by another scholar, thus resolving a larger controversy.

Large stick figure holds a small stick figure above its head. A speech bubble above the small stick figure says "I can see so much further from up here!".

Strategy 3
Piggybacking, or Standing on the Shoulders of a Giant

Agree with a scholar (i.e., kiss ass), but then complete or extend the scholar’s work, usually by borrowing an idea or concept from the scholar and developing it through application to a new subject or new part of the conversation.

Strategy 4: Leapfrogging: Step 1: a small stick figure holds the hand of a larger stick figure. A speech bubble above the small stick figure says "Gee you're swell! Let me shake your hand …". [a scuffle ensues] Step 2: the small stick figure stands on the shoulder of the larger stick figure. A speech bubble above the small stick figure says "…but I'll take over from here!".

Strategy 4
Leapfrogging, or Biting the Hand That Feeds You

Agree with a scholar (i.e., kiss ass), then identify and solve a problem in the scholar’s work—for example, an oversight, inconsistency, or contradiction. 

Strategy 5: Playing Peacemaker: Two stick figures hold knives and appear to fight. A speech bubble above critic 1 figure says "I know you are, but what am I?" and the speech bubble above critic 2 says "I know you are, but what am I?". Between them is a stick figure of an angel (peacemaker) whose speech bubble says "Wait a minute. Can't we all get along?".

Strategy 5
Playing Peacemaker

Identify a conflict or dispute between two or more scholars, then resolve it using a new or more encompassing perspective.

Strategy 6: Taking on the Establishment, or Acting Paranoid: Three stick figures have a conversation. The first says "I'm okay. You good?". The second replies "You bet" and the third replies "I'm really enjoying myself." A fourth and smaller stick figure says "I'll be revenged on the whole pack of you!".

Strategy 6
Taking on the Establishment, or Acting Paranoid

Pick a fight with everyone in a critical conversation—for example, by showing how the status quo is wrong, a critical consensus is actually unfounded, or a dispute is based on a faulty assumption.

Strategy 7: Dropping Out, or Finding Room on the Margins: Three stick figures are clustered together and labeled "the critical consensus." A fourth stick figure appears to walk out of the illustration frame, and the speech bubble above the future says "The truth is out there!".

Strategy 7
Dropping Out, or Finding Room on the Margins

Focus on an issue in the margins of the critical conversation, illuminating that issue and (in the best version of this strategy) ultimately redefining the conversation itself.

Strategy 8: Crossbreeding with Something New: Two stick figures are labeled "fatigued critics." One says "Why should I care about entomology?" and the other says "What's that kid up to?". A third stick figure says "Hey, look what I found!" It appears to exit and re-enter the frame through two different doors labeled "exit." Along the line of the stick figure's path, he encounters new evidence and new theories.

Strategy 8
Crossbreeding with Something New

Inject really new material into the critical conversation to produce a new argument. For example, bring in a theory from another discipline to reinterpret the evidence, bring in new evidence to upset an old theory or interpretation, or establish an original framework (a combination of theories, a historical understanding) to reinterpret the evidence.

 

 

 

 

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